3/19/2023 0 Comments Growly notes highlight![]() She distills the emotion and delivers it along with the notes, by turns eerie, agitated, dreamy. Her voice can pierce or whisper as it breathes life into the spare modernity of the music. In the works of the two contemporary American composers, she conveys the feeling that drives the often complex modern music. "Hong explores vocal works by composers Milton Babbitt and Michael Hersch in this striking release on the Innova Recordings label. you will find this production sticks around in the memory for longer than you might expect." Sharply etched and potently communicative, this is a recording that no fan of challenging modern vocal music should be without. "As the publicity text for this release promises, soprano Ah Young Hong’s 'fervour, flawless accuracy and riveting tone convey the myriad shards and flavours of the music with apparent ease and assurance.' Her voice is again balanced as an equal amongst the other instruments. Hong’s incredible voice, from its growly bottom end to pure high notes that are shrill yet warm, and never grating." Her performance of the two daunting works on this disc, Milton Babbitt’s Philomel and Michael Hersch’s a breath upwards, is nothing short of breathtaking." She has a remarkable sound and seemingly limitless technique. This piece is as vital and original as any of today’s music." 1971).Even at its most astringent, Hersch’s music always has something compelling and insightful to say. Hong also performs A Breath Upwards, a new song cycle for soprano, clarinet, horn and viola by Michael Hersch (b. It’s good to be able to revisit this intriguing work, courtesy Hong’s fearlessness and consummate artistry. (Beardslee’s autobiography is called I Sang the Unsingable.) Hong’s unexpectedly sweet-toned traversal is on par with Beardslee’s fierce original, which is saying a lot. ![]() ![]() One set of notes on the piece says that it requires a singer “with perfect pitch, outstanding command of rhythm, and total control of dynamic contrasts.” Hong clearly has all these-and an unfailingly lovely sound to boot. In this new recording from Innova, soprano Ah Young Hong effectively matches Beardslee’s timbre so the sections where the live and recorded voices have interplay provide the intended echo effect. "Babbitt composed the work for Bethany Beardslee, whose voice is heard on the tape with the synthesized sounds. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |